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artistdaily.com
CONTENTS
AMERICAN
ARTIST
Workshop
FOR OIL & ACRYLIC PAINTERS
FALL 2010
62
4 Editors Note
8 Frank Serrano: Accurate & Efficient Plein Air
Landscape PaintingBY M. STEPHEN DOHERTY
In his popular DVDs, book, and workshops, California
artist Frank Serrano shows how to successfully paint
directly from nature in any location.
16 Bennett Vadnais: 4 Stages to Successfully
Painting a Landscape
BY M. STEPHEN DOHERTY
Taking advantage of all he learned from painting landscapes
with watercolor, acrylic, and oil, New York City artist
Bennett Vadnais recently helped workshop participants
plan and execute better landscapes. He recommendedmaking compositional sketches, drawing the best design
on a panel, applying transparent washes of color, and
building up thicker layers of oil paint.
28 Daniel J. Keys: Passing on the Legacy of LearningBY ALLISON MALAFRONTE
During a recent still life workshop at Village Arts of Putney,
Daniel J. Keys had a chance to not only follow in the artistic
footsteps of his mentor Richard Schmid but also to pass on
to others what has so generously been given to him.
40 Kate Lehman: The Value of Studying With SeveralProfessional Artists
BY M. STEPHEN DOHERTY
New York artist Kate Lehman developed her approach to
oil painting by studying with a number of top artists. Now,
she encourages students to pursue a similarly diverse art
education. No one teacher has all the answers to your
questions, she says.
Workshop (ISSN 1930-4668) is published quarterly by Interweave Press, 201 E. Fourth St., Loveland, CO
80537-5655, (970) 669-7672.Copyright 2010 by Interweave Press, a division of Aspire Media, all rights
reserved. Title registered in U.S. Patent Office. Subscriptions are $23.95 per year domestic, $27.95 Canada
and $30.95 all other countries. Payment in US Funds only. The contents of this publication may not bereproduced either in whole or in part without consent of the copyright owner. Workshopis printed in the U.S.A.
POSTMASTER: Send address changes to: Workshop, P.O. Box 469072, Escondido, CA 92046-9072
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50 Richard McKinley: Tackling Three Key Challenges
of Plein Air Painting With Oil and Pastel
BY LINDA S. PRICE
During an inaugural series of workshops at theSalmagundi Club, in New York City, Richard
McKinley helped students with such painting issues
as simultaneous contrast, atmospheric perspective,
and refraction.
62 William A. Schneider: Strategies to Organize
the Elements of Your Paintings
BY M. STEPHEN DOHERTY
Illinois artist William A. Schneider emphasized the
value of preparatory studies as he showed workshop
participants how to locate subjects within their paintings
and how to organize effective compositions of shapes,values, color harmonies, and edges.
70 Rob Silverman: Measurement Tools to Improve
the Accuracy of Your Drawings and Paintings
BY M. STEPHEN DOHERTY
During a recent workshop held in Edward Hoppers
childhood home, Rob Silverman showed students
how to use grids, a viewfinder, and value charts to
check the accuracy of their artwork.
78 Michael Klein: How to Adjust to the Challenges
of Painting FlowersBY M. STEPHEN DOHERTY
In his workshops, DVDs, and book, Michael Klein
shows students how to respond quickly and effectively
to the changing appearance of flowers in oil paintings.
In these cases, I dont spend a lot of time developing
detailed drawings, he explained in a recent workshop
at the Grand Central Academy of Art. Instead, I make
sure every brushstroke of oil color is accurately mixed
and placed so that I capture the transient appearance
of the flowers, and then I focus on the parts of the
setup that remain constant.
86 How the Academic Method Can Improve Your
Drawing and Painting
BY M. STEPHEN DOHERTY
During a recent workshop in Philadelphia, Daniel
Graves and Peter van Dyck introduced students to a
condensed form of the instruction offered at the Flor-
ence Academy of Art. The participants learned how to
make precise studies of plaster casts and live models,
which sought to improve their ability to understand,
record, and respond to nature.
96 Coming in...
86
COVER
Painter Peter van Dyckleading a workshopat the PennsylvaniaAcademy of Fine Art.
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