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    artistdaily.com

    CONTENTS

    AMERICAN

    ARTIST

    Workshop

    FOR OIL & ACRYLIC PAINTERS

    FALL 2010

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    4 Editors Note

    8 Frank Serrano: Accurate & Efficient Plein Air

    Landscape PaintingBY M. STEPHEN DOHERTY

    In his popular DVDs, book, and workshops, California

    artist Frank Serrano shows how to successfully paint

    directly from nature in any location.

    16 Bennett Vadnais: 4 Stages to Successfully

    Painting a Landscape

    BY M. STEPHEN DOHERTY

    Taking advantage of all he learned from painting landscapes

    with watercolor, acrylic, and oil, New York City artist

    Bennett Vadnais recently helped workshop participants

    plan and execute better landscapes. He recommendedmaking compositional sketches, drawing the best design

    on a panel, applying transparent washes of color, and

    building up thicker layers of oil paint.

    28 Daniel J. Keys: Passing on the Legacy of LearningBY ALLISON MALAFRONTE

    During a recent still life workshop at Village Arts of Putney,

    Daniel J. Keys had a chance to not only follow in the artistic

    footsteps of his mentor Richard Schmid but also to pass on

    to others what has so generously been given to him.

    40 Kate Lehman: The Value of Studying With SeveralProfessional Artists

    BY M. STEPHEN DOHERTY

    New York artist Kate Lehman developed her approach to

    oil painting by studying with a number of top artists. Now,

    she encourages students to pursue a similarly diverse art

    education. No one teacher has all the answers to your

    questions, she says.

    Workshop (ISSN 1930-4668) is published quarterly by Interweave Press, 201 E. Fourth St., Loveland, CO

    80537-5655, (970) 669-7672.Copyright 2010 by Interweave Press, a division of Aspire Media, all rights

    reserved. Title registered in U.S. Patent Office. Subscriptions are $23.95 per year domestic, $27.95 Canada

    and $30.95 all other countries. Payment in US Funds only. The contents of this publication may not bereproduced either in whole or in part without consent of the copyright owner. Workshopis printed in the U.S.A.

    POSTMASTER: Send address changes to: Workshop, P.O. Box 469072, Escondido, CA 92046-9072

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    50 Richard McKinley: Tackling Three Key Challenges

    of Plein Air Painting With Oil and Pastel

    BY LINDA S. PRICE

    During an inaugural series of workshops at theSalmagundi Club, in New York City, Richard

    McKinley helped students with such painting issues

    as simultaneous contrast, atmospheric perspective,

    and refraction.

    62 William A. Schneider: Strategies to Organize

    the Elements of Your Paintings

    BY M. STEPHEN DOHERTY

    Illinois artist William A. Schneider emphasized the

    value of preparatory studies as he showed workshop

    participants how to locate subjects within their paintings

    and how to organize effective compositions of shapes,values, color harmonies, and edges.

    70 Rob Silverman: Measurement Tools to Improve

    the Accuracy of Your Drawings and Paintings

    BY M. STEPHEN DOHERTY

    During a recent workshop held in Edward Hoppers

    childhood home, Rob Silverman showed students

    how to use grids, a viewfinder, and value charts to

    check the accuracy of their artwork.

    78 Michael Klein: How to Adjust to the Challenges

    of Painting FlowersBY M. STEPHEN DOHERTY

    In his workshops, DVDs, and book, Michael Klein

    shows students how to respond quickly and effectively

    to the changing appearance of flowers in oil paintings.

    In these cases, I dont spend a lot of time developing

    detailed drawings, he explained in a recent workshop

    at the Grand Central Academy of Art. Instead, I make

    sure every brushstroke of oil color is accurately mixed

    and placed so that I capture the transient appearance

    of the flowers, and then I focus on the parts of the

    setup that remain constant.

    86 How the Academic Method Can Improve Your

    Drawing and Painting

    BY M. STEPHEN DOHERTY

    During a recent workshop in Philadelphia, Daniel

    Graves and Peter van Dyck introduced students to a

    condensed form of the instruction offered at the Flor-

    ence Academy of Art. The participants learned how to

    make precise studies of plaster casts and live models,

    which sought to improve their ability to understand,

    record, and respond to nature.

    96 Coming in...

    86

    COVER

    Painter Peter van Dyckleading a workshopat the PennsylvaniaAcademy of Fine Art.

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