of

"-

EDGARD VARESE1

IONISATIONfor

Percussion Ensemble

13 Players

Full Score

N.Y. 2205

Duration: 6V:! minutes

1

COLFRANC MUSIC PUBLISHING CORPORATIONSole Selling Agent

FRANCO COLOMBO, INC.16 West 61st Street

New York

Nomenclature des instruments pour Ies treize eX6cutantB1. Grande Cymbale Chinoise - Grosse Caisse (tres grave) ...) de 7 a 9 Cencerro (sourdino) lr)

20 Gong - Tam-tarn clair - Tam-tam grave b) de 7 a 9 Oencerro (sourdino)S. 2 Bongos laigu &: grave) e) - Caisse coulante fi.) _ 2 Grtl8ll8S Ilaissea a plat lmoyenne &: goTavel4. Tambour militaire - Oeieee roulente-5. Sirene claire j') - Tambour a ecede .)6. Sirene gra,"e f) _ Fouet _ GuiTO 6)

7. a Blocs chinois (clair, moyen&: goTave)_ Claves AJ _ Triangle8. Caisse claire (detimbreeJ- 2 Maracas ,') (clair et grave)9. Tarole jJ - Caisse claire - Cyrnbale suependue

10. Cyrnbales - Grelots - i. partir de I)J] Cloches • ~ _

11. GUiro - Oastagnettes- i partir de lIJl Glockenspiel a clavier12. Tambour de Basque - Enclumes (1~ plus aigiie) i. partir de IiJJ Grand Tam-tam (tre. profondlis. Pouet - Triangle _ Grelots; • partir de lIJl Piano 1)

_) _ mailloclle dan. dJaque main-" IrlJ pr~ Tam_tam clair;,1a plac" deI" Cymbale chino;"' •

..) ...... maillocbe dana cluMpoe rnain-aflaque. toujounl I," d,"'igues__ .......lea Jl n'uaer qqe I" poidl combinl! du btM el de Ia maillO<.ite_ No> pIlIl 1I_n-!Der '" ....n.

~~: Tamboun dK "-til"'., e"r"'rll1ernenl jouia ~ de pelil ... borguHtet,ou nee Ie. doi«ta.Suivre .Iriclemenllea indicaH"". de la partilJon PO"" I...bag" ..Hlldetirrila.-

let ;, employer.4J ... km indiCllliOM bquettea Timbales en peau_en boill_l"n f....t .... ~ "pon~e•Le .p ~signifi .. poUT T.ilrole_Tamblnil-c,,;l${'s ,!.oi "I r""I."", .. It'"•..bmd.sJ Tambour .. oo.de, s...te de _ .... OOi.; I'an.... fix Ii j~rTt." po,r1m ","""""tilefond remptaoe par unememb.ane !endue, au cenlre de 1aqUf'11" Nt fiftun"' conlerelenue" l'inlene..r f:' un 1lOINd. On produil I<! IOn en "nl<...... nl I" ""roe d'unep;ke de toile .. vui e au de ,,",ir, aen.nt It'gli'''menl I.. tlmin el li'An! d.. bus ....h .. t ffI'1I aoi. Avoir .. in de bien c<llupha.ner la corde.

/)S~, Sierling Type H (Pari No. 73 PU-PB) <>pirtle. a I.. mai" av('Cb,IU_ton d·.n~t inatantan.!': Au"",,,,, autre eapece de 5i';' .... f"",""", .i"",,, a bou",,",.tc.l ne dnit etre employee. Si Ie. airft>es -vokifioit-o "" po!UYenl;1." "btmnlll>l,... aervir d"i.. trumenll ... onOe' Th"remin (OU limilaitl'SJ. 011... <;C! c,u~" rM............ wraion a_joint.

IJ Gai.." Cale~ .tri';'" lUr une partie de as aurf_. frotln .... moy .... d'unlic" de melal Ddde boil.

4) CI Baguellea nU boil hi. du. et I.e. d (cuhlline.). Unl! doellepuo"e r une main, d"lic.le ........t loutenLM!par I doigtl, une extrl!lD.lIetepo.anl Mlr I" puignel: .. oa nai ... nOl.',In p"ume de la nuUn .....,; con~qu.. po.. ibl" afin de fo,m .., """il" r".on"",,,I ... 'rapper I"ger ..mfnl a mi.longueur .ve<: I·s"tr .. dav" .

•, IIllr_I' Gourde. 'empli ... de Cllilloux OUde petil pluMb, """,ieo d'lln man-die (U..... poIIr ch"'l"e main). Ag;1..r ou ....,ou" .. rythmiqu.menl.

jJ Tarol", Pelile cai.... pl.t" d'une t<lrlO,il" a;gue.

i) Ceocerro - dod, .. de ncb< _ sa,," battlnC, u« pal 1'...... - ... frapp.!<'svec~ tambour assourdi= en inuoduisanc mouchoir ou morchu d·ecotIe.

/)", "g." ~ '.d,•• ,.1 ........ ,,, ".,;.

<"h'omali'l""a compri. ent ... lea 2 nulea kritea dolvent ph .. attAll..... afmotl..tnn.......nt "n I't" ..... v.nl d" luul l"av"nl br,... L'"II"'l"e """PIe, ~ana IlIidftlret u.n. brul"lite.

MAR 29 1971

Nomenclature of instrument.1. Crash Cymbat-Basg-Drom- (verydeep) ~)from? to, Cencerro (muflled) 1<)

2. Gong - Tant-tam (high) Tam-tam (low) ~) from 7 Co 9 Ceneerro (muftred)3. 2 BongoB ,,)_ 8ide-Drum tAJ - 2 Basi Drums (medium .ile ad large) laid fW-l. Tambour MjJitaire _ Side-Drum6. Siren (high)// - String-drum .)6. Siren (Iowl,l) - Slapstick - Guire I)7. Chinese blook. (high, middle register, and low)_ OJava" AJ-Triangle8. Snare_drum (.,ith anaros relaxed) _ Maracas oj Ihigh and low)9. Tarolsl!-Snare-drum Suspended cymbal

10. Cymbal,. _ Sleigh bells, and later Tubular Chimes11. GUiro - Castagnettea, and later Glockenspiel a clavier (with resonators)12. Tambourine Anvils (high and low), and later Grand Tam-tarn (very deep\13. Slapstick - Triangle - Sleigh- hells, and later Piano I)

ajA drumstick in each "and, at OIl chAnge to light f~m.tam.irulte.d ofcr-,w,cymbals.

olo, A drum.tick in 'M~h haod,' giv~ ,,~, ~llIstir ,truk"'i ......",in tt...Dthe cum..bined weight 01 ami and " i~k a~ .uffici ..nt _uu n"t kill Ih.. lu"t'.

c) Bongoe. are Wesl Indian twin drum. with parchme,,1 heMls. XI..,- m"1 beplayed eith"r with small wood..n s!i"k., ur with fing......

.tlt!R, according 10 indications I.... di((nent hWe.Un,m sticlr.s: ,.kin ordi"".ryJ, """"'en, fell,er spo..g...' For I""ul.., o,ilila,y-urum, .nllre_drUlIl.,orten-

EOr drum, where the ,wlal;uB ~ ,,""urs, pllly "" Ih.. rion.

s) String· dTllm,also known under lh.. n"me liun.r"ar. ~ ". me<!.;um.• ;, ..dwouden b'lr~l with p",,-hnwnl h'-,Id thruu"h which" ..,."' .." drrnK ,-.drawn. The '::'lInd i. pr"du....d by r':'hbing th,' .'Ting "ilh .. piee<> or dulhor l,.athn,

Ii Si..en., St<'TlingType H 'Pa,t No,'i'3 PU. PH.\, oper"led by hand, with"h,itlon fur ;""I"nl ......o,,, .lul'l'i,'S, Ilhumbhr..l<,,'. If """btAinnhl.. , .ubsli.luI.. Th"ffmin's eleetric insl'u'''''nb, Or AnysimilH in""u..........i""", .~;alo.or..-'. Mou!h lir..ns nol lu bP ".ed.

Ki Giiiro, _ • Cub"n de.icclIt..d gourd, ... ""Ied .'Il> ,ht' '"rfaee I" I,.. scralclwdwith a w<>Uden.tid;.

A) CIa ...... _ Cuha" stieko uf h..rdwood. Tn order- 10 ollillin d.-.i....d ... writy,onesl;~k m",1 hl' ",.Id lun... ly b<-twe"nth" fin~," with. til.. palm "f til.. handcb ... "d to furm II smt "f >"unding oox, the other .,id n",st ,I,il" ....lhl'rlightly IIbout Ib.. n,iddll'.

oj JIbr"ca. ar.. C"l;.l11rattle. ("",.t wilh ammwlition in.idl' the gUll ...ll.j) TarallOi... flat !pilitary drum, with .na,es.i) c.......rro _ .. ('(jwben with nO clapper - fuwlled b7 til,. handle and .truck

with draa lItick _ 111. ... b)' Iticki... b.andU~hl.f In bell

I) The '~M ( ~ ) indicate "'" ,II the ,hrom,,;,

degrees included bctw&,n the 2 written notes must ,"'" attac~ed simulcaneou;;Jywhile using the entire forearm. A supple attack, wnhout snllness or hrutallty.

Chart for disposition of Percussion Ensemble suggested by Morris Goldenberg,

Instructor of Percussion, juilliard School of Music.

[II IT] ill~

0~Piano

IT][I] 0

0 IT!][II @I

0Conductor

Charts for Individual Multiple Percussionists

r>.CY.CH.

XFootnote: Use soft Timpani mallet at outset. After 0 use Bell mallet in R.H.for Cowbell and Timpani mallet in L.H.

I1.

@S.T."Adjacent to 16

Player 2

• IONISATION •

CENCERRO

~

V

2.

T.T.Low

30"/'J6"Adjacent to

Player 1

GONGMedium24"/26"

Footnote: See prototypes for Gong and Tam-Tant at end of section.

)()<JBONGOS

Q G.C.~ Low

36"

Footnote: Both BassDrums are to be laid flat.

4.

C.R.15"/18"

T.M.15"/16"

Footnote: The CaisseRoulante or Tenor Drum has no snares and is almost like asmall BassDrum. The Tambour Militaire,known also as either the Field or Par-ade Drum, has adjustable sidesnares.

5.

T.c.BFootnote: See protoypes of High Siren and String Drum at end of Section.

6.

~S.G.

FOUET ~

~ ~GUIR.O-13" IN LENGTH

Footnote: See prototypes of Low Siren at end of section.

r.

BLOCS.CHI,;'. ~~ ~ \CLAVES ~(3) ~ ~Hard maple wood TRIANGLEON'=: 1-1/4" diameter MUSIC STAND

I x 10" in length.

Footnote: Use Chinese Blocks (or the equivalent Wood Blocks) of ) different pit.ches, Do not use Temple Blocks.

8. NO DIAGRAM NECESSARY

••CY.S.IS"TARO~

12"/IV ~

VFootnote: The shell of the Tarole is extremely shallow.

10.HANDmCYMBALS CY.S.

\ 18"

CLOCHES f==.! O~f.t,~G":'ILOTS

~ IIpossible. The Suspended cymbal is onlyFootnote: Use Hand Cymbals wherever

an alternative. (With wood sticks.)

, 11.

•

GUlRG

\~ WCAST .

GLOCKENSPIELA CLAVIER

(with Resonators)Footnote: Use two pairs of castanets.

•

12.

IFootnote: See prototype of Anvils at end of page.

I}.

TRIANGLE k=;r==I""FDUET .rr

~ (" !GRELOTS

Prototypes

GNG.JO"/16"

T.T.30"/36"

This is a profile view of the Gong andTam-Tam to show their basic differences.

LOW SIREN

Footnote: With br-ake equipment.LOW SIREN

DHIGH SIREN

ANVILS 8"/10"

Footnote: Indentationt in holder rnwt belined with toft felt to obtain maximum ofraooance. To obtain resonance hit bothtuhet .iJnuJUDecnuly with beaur (amaHpiece of tubio&) held by the middle.Dampinl it obtained in the aame fuhionbut keepiAs the contact with the twotubeo.

STIUNG DRUM(Lion'. Roar) r-r---..

•ANALYSIS

by Nicolas Slonimsky

Bars 1-8. Introduction. A characteristic figure is sounded

by two Bass Drums (laid flat). The Sirens, one high,the other low, enter in rotation, starting from ppp,

swelling to mp. The String-Drum enters in the seventhbar, starting a rremendous crescendo of the MetalGroup (Gongs, Tam-tarns, Cymbals, Triangle). Thecrescendo ends abruptly giving way to

The First Subject. BllIS 9+120 (with an upbeat).The Tambour Militaire gives nut the theme, ac-companied by twin Bongos (the Bongos figure may beconsidered a Counrersubject).

Bars 13-16 [I] are bars 1-4 with slight modifications.

Bar 17 equals bar 9.

Bars 18·20 [I].Episode. The Tarole, alternating withthe Chinese Blocks, gives out a figure panly derivedfrom the Subject.

Bars 21-26 GJ & II].The first Subject is repeatedfor two bars, continuing in anew figure in Bar 23. The

Bongos enter in s~rict imitation of the Subject, con-

tinuing in free counterpoint. The Tarole repeats irs

episodk figure.

Bar 27 (compound, 2/4 J?lus 3/8), after a Coderreplayed by the Chinese Blocks, leads to two 4/4 bars

(28 and 29) with thematic figures of the Tambour

Militaire. A syncopated Codena in a 3/8 bar for

Claves, leads to the rerum of 4/4 time (Bar 31).There is a Codena for the Chinese Blocks in the fol-

lowing 514 bar, where the quintuple figure of the

second Subject is anticipated.

Bars 33-42 [I]&W .4/4 time. Free episodic de-velopment. A sudden outburst of sonority in Bar 38is continued crescendo.

Bar 4j in 5/8. A Coderta f<)r the Chinese Blocks leads

to the second Subject.

•

-

Bars 44-50 IT] . Second Subject - a characteristic

figure in quintuple sixteenth notes, syncopated, inter-

rupted and doubled, is given out by five players

simultaneously (Bongos, Tambour Militaire, Chinese

Blocks, Maracas, Tarole). The time-signatures are suc-

cessively, 3/4, 514, 3/4, 5/4, 3/4, 518,4/4.

Bars 51-55 [2] 4/4. All-meral in p, ml and 1 in

various instruments (Anvils, Cymbals, Gongs, Tam-

tams, Triangle, accompanied by Sirens). Bars 56-65[!Q] & lID introduce thematic bits in the entire

OrcheStla, leading to all all-metal crash on a fermata in

Bar 65.

Bar 66 [!II , in 5/4 - another outburst of sound;

Bar 67, in 4/4, Pianissimo; Bar 68, in 514 repeats

Bar 66 with some changes in orchestration.

Bars 69-72 in 4/4. The firsr Subject reappears in the

Tambour Militaire. But instead of the original Iigute

of Bar 9, the Bongos use for counterpoint the figureof the Tambour MjJitaire in Bar 23.

Bar 73, in 5/4, recalls the second Subject, in twc

figures of quintuple sixteenth notes. Bar 74, in 3/4,leads through a tremendous crescendo, to Coda.

Bars 75-91 ITIlBars 75-79. Time-signature 4/4. Instruments of deli·

nite pitch (Piano, Bells and Glockenspiel .. Clavier)

enter. The fim Subject is re-srared by the Tambour

Militaire. Bar 80, in 2/4, containJ a Cadena for

Chinese Blocks. Bars 81-82, in 314, bave a solo for

the Tarole. Bars 83-91 repeat thematic bits of the

fim Subject. The conclusion is in pianUsimo, on •long fenm.u..

10 Nicolas SlolJimsky8 IONISATION

(for Percussion Ensemble of I.) Players) Edgard varese=69 . ~I.

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