The Beauty of Art Nouveau11

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    LEOPOLD VAN STRYDONCKLa formation de Lopold Van Strydonck se passe l'Acadmie des beaux-arts de Bruxelles de 1879 1884 chez Alexandre Robert, Jan Baes et Joseph Van Severdonck. Il dessine des bijoux et ouvre une premire bijouterie Bruxelles. Ses crations sont ralises dans les ateliers Wolfers. Il s'impose comme tant l'un des plus grands dessinateurs joailliers-bijoutier Art nouveau. Van Strydonck travaille l'ivoire, l'or, l'argent, les pierreries et le bronze pour ses objets dcoratifs.Il est le frre de l'artiste peintre Guillaume.*

  • Philippe Wolfers (Belgique, 1858-1929) Libellule Pendentif-broche, 1904. Platine, or, mail, diamants, rubis et perles. Collection du Museum of Fine Arts, Boston

    (b Brussels, 16 April 1858; d Brussels, 13 Dec 1929). Belgian jeweller, designer and sculptor. The son of the master goldsmith Louis Wolfers (1820-92), he graduated from the Academie des Beaux-Arts in Brussels in 1875 and entered his father's workshop as an apprentice, where he acquired a comprehensive technical training. Influenced by the Rococo Revival and Japanese art, in the 1880s he created sensitively curved pieces in gold and silver decorated with asymmetrically distributed floral motifs, which heralded the Art Nouveau style (e.g. ewer, Le Maraudeur, c. 1880; Brussels, Musees Royaux A. & Hist.). After 1890 he produced two kinds of work: goldsmithing and jewellery designs for production by Wolfers Freres and one-off pieces that were produced to his own designs in the workshop that he had established c. 1890-92. *

  • Giant Silkworms Moth - Painted from Nature By Walter Linsenmaire Philippe Wolfers (Belgian, 18581929)

    Typical of the latter are Art Nouveau goldsmiths' work and jewellery (e.g. orchid hair ornament, 1902; London, V&A), crystal vases carved into cameos and ivory pieces. Ivory was then in plentiful supply from the Congo, and from 1893 Wolfers used it to make unusual pieces with such evocative titles as Stroking a Swan (an ivory and bronze vase with marble base, 1897; Musees Royaux A. & Hist.) and Civilisation and Barbarism (a work combining ivory, silver and marble, 1897; untraced). His creations were well received at the Exposition Internationale in Antwerp (1894) and at the Exposition Internationale in Brussels (1897). Encouraged by this success he committed Wolfers Freres to the Art Nouveau style. He exhibited at the Munich Secession (1898, 1899) and in 1900 showed an important collection of his jewellery at the Paris Salon. In 1902 he exhibited one of his most astonishing creations at the Esposizione Internazionale d'Arte Decorativa in Turin: Fairy with Peacock (untraced; drawing, priv. col.), an electric lamp in the form of a nude ivory figure surrounded by enamelled metal peacock feathers set with precious stones.Read more: http://www.answers.com/topic/philippe-wolfers-2#ixzz1naNI8tLX

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  • Philippe Wolfers, Dessin la gouache - modle de lampe Philippe Wolfers 1858-1929, bijoux femme-paon

    Lamp inspired By artist Philippe Wolfers (1858-1929)While there's an enchanting mythological thread of legend between the stately peacock and the fair goddess, this is the first time we've seen it rendered in sculptural form! The famous Peacock Goddess Lamp was a true sensation at the Salaon National des Beaux-Arts exposition of 1901. It's a magnificent example of symbolism in Art Nouveau, this 15-inch dancing duo unfolds in a sparking,*

  • Philippe Wolfers (Belgian, 18581929)

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  • Philippe Wolfers (Belgian, 18581929) Orchide aile, 1902

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  • Philippe Wolfers (Belgian, 18581929)

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  • Philippe Wolfers (Belgian, 18581929)Victoria & Albert Museum London

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  • Philippe Wolfers (Belgian, 18581929)Superb Symbolist Chimera Brooch

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  • George Hunt british, c.1930 MEDUSA A carved ivory, silver, gold and enamel pendant

  • George Hunt, british, c.1930

  • George Hunt, british, c.1930

  • George Hunt, british, c.1930

  • George Hunt, british, c.1930

  • a Pair Russian Faberge Inspired Gemstone Flowers

  • Virginia Museum of Fine Arts displays Faberge treasures

  • Ren Lalique An art nouveau peridot, ruby, enamel and gold corsage ornament, Designed as an enamel and gold openwork hinged gold.

  • Text & Pictures: InternetFlower pictures: Nicoleta LeuCopyright: All the images belong to their authorsPresentation: Sanda Foioreanuwww.slideshare.net/michaelasandaSound: Cecilia Bartoli - Vincenzo Bellini Il fervido desiderio, for voice & piano La farfalletta, song for voice & piano

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    LEOPOLD VAN STRYDONCKLa formation de Lopold Van Strydonck se passe l'Acadmie des beaux-arts de Bruxelles de 1879 1884 chez Alexandre Robert, Jan Baes et Joseph Van Severdonck. Il dessine des bijoux et ouvre une premire bijouterie Bruxelles. Ses crations sont ralises dans les ateliers Wolfers. Il s'impose comme tant l'un des plus grands dessinateurs joailliers-bijoutier Art nouveau. Van Strydonck travaille l'ivoire, l'or, l'argent, les pierreries et le bronze pour ses objets dcoratifs.Il est le frre de l'artiste peintre Guillaume.*(b Brussels, 16 April 1858; d Brussels, 13 Dec 1929). Belgian jeweller, designer and sculptor. The son of the master goldsmith Louis Wolfers (1820-92), he graduated from the Academie des Beaux-Arts in Brussels in 1875 and entered his father's workshop as an apprentice, where he acquired a comprehensive technical training. Influenced by the Rococo Revival and Japanese art, in the 1880s he created sensitively curved pieces in gold and silver decorated with asymmetrically distributed floral motifs, which heralded the Art Nouveau style (e.g. ewer, Le Maraudeur, c. 1880; Brussels, Musees Royaux A. & Hist.). After 1890 he produced two kinds of work: goldsmithing and jewellery designs for production by Wolfers Freres and one-off pieces that were produced to his own designs in the workshop that he had established c. 1890-92. *Typical of the latter are Art Nouveau goldsmiths' work and jewellery (e.g. orchid hair ornament, 1902; London, V&A), crystal vases carved into cameos and ivory pieces. Ivory was then in plentiful supply from the Congo, and from 1893 Wolfers used it to make unusual pieces with such evocative titles as Stroking a Swan (an ivory and bronze vase with marble base, 1897; Musees Royaux A. & Hist.) and Civilisation and Barbarism (a work combining ivory, silver and marble, 1897; untraced). His creations were well received at the Exposition Internationale in Antwerp (1894) and at the Exposition Internationale in Brussels (1897). Encouraged by this success he committed Wolfers Freres to the Art Nouveau style. He exhibited at the Munich Secession (1898, 1899) and in 1900 showed an important collection of his jewellery at the Paris Salon. In 1902 he exhibited one of his most astonishing creations at the Esposizione Internazionale d'Arte Decorativa in Turin: Fairy with Peacock (untraced; drawing, priv. col.), an electric lamp in the form of a nude ivory figure surrounded by enamelled metal peacock feathers set with precious stones.Read more: http://www.answers.com/topic/philippe-wolfers-2#ixzz1naNI8tLX

    *Lamp inspired By artist Philippe Wolfers (1858-1929)While there's an enchanting mythological thread of legend between the stately peacock and the fair goddess, this is the first time we've seen it rendered in sculptural form! The famous Peacock Goddess Lamp was a true sensation at the Salaon National des Beaux-Arts exposition of 1901. It's a magnificent example of symbolism in Art Nouveau, this 15-inch dancing duo unfolds in a sparking,*

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