Philippe-Aubert Gauthier - Resume - 2014

8/11/2019 Philippe-Aubert Gauthier - Resume - 2014

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UMMARY// PHILIPPE-AUBERT GAUTHIERArts, music, sciences and engineering Sund, media and digita! artist, "unir mec#anica! engineer, master in sciences, P#$ in acustics

Educatin and academic !i%e& Engineering, acustics Researc#er in acustics and s'atia! audi Pst-dctra! %e!!( in acustics& s'atia! sund and sund en)irnment re'rductin P#$ in acustics& **S+nt#se de c#am's snres ada'tati)e,** s'atia! sund and sund %ie!d re'rductin, Best t#esis a(ard

Sciences and Engineering,SER. and ATE grants Master in mec#anica! engineering& acti)e cntr! % )i0ratin B1Ing1 in mec#anica! engineering E2'erience in grant and %unding a''!icatins %r researc# E2'erience in a''!ied researc# (it# industria! 'artners

Pr%essina! mem0ers#i' Mem0er % 3 rgani4atins r 'r%essina! rgani4atins re!ated t arts, acustics, audi and music

Presented artistic (r5& Sund and media arts Mre t#an 67 art 'ieces created and 'u0!ic!+ 'resented in 'r%essina! cnte2ts Sund and media art, digita! art, insta!!atin, )ide, 'rints, generati)e cm'sitin, 'er%rmance, e!ectrnic music, 0ass guitar Presentatins and radi 'resentatins % music 'ieces& u80ec .it+, Mntr8a!, S#er0r5e, Tris-Ri)ires, and .#icutimi1 A!

'resented in .anada, USA, Me2ic, .#i!i, 9rance, Be!gi:ue, and German+1

Artist residencies& Avatar, u80ec ;.A< // Centro Multimedia, CENART, Me2ic .it+ ;M=< // Oboro, Mntr8a! ;.At#er& design % measurement micr'#nes and design % a -c#anne! micr'#ne arra+, sund :ua!it+ a''!iedsn( m0i!es, GAUS cn%erences rgani4er, su'er)isin % master students and undergraduate trainees, team (r5GAU ;Gru'e dAcusti:ue de !Uni)ersit8 de S#er0r5e< and .IRMMT ;.entre %r Interdisci'!inar+ Researc#Music, Media N Tec#n!g+, McGi!! Uni)ersit+s(a!d, L1 $u%rt, A1 Burtn, 1 Pic#8 and Q1 Parmerud1 .entre darts >r%rd ;.AR>B>LE Artist-run center, S#er0r5e ;'resident % t#e 0ard % directrs since @7@**

T( sund insta!!atins n 'u0!ic s'ace %r t#e sound installation 'art % t#e 9esti)a! Internatina! de Musi:ue Actuede Dictria)i!!e ;9IMAD< ;Dictria)i!!e, .Arin1 Bt# 'r"ects are su''rted 0+ t#e .anada .unci! %r t#e Arts ;.A.TI9 ET M>IRE **

Sund 'er%rmance, insta!!atin and re!ated ta!5 %r t#e 'ening % t#e .A ;Studi .r8atin Arts um8ri:ues$UIT

Large 'rint 'r"ect re!ated t .GI tec#n!gies (it# T1 St-Pierre1 Artist residenc+ at agamie ;A!ma, .A


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Pu0!ic 'resentatins % art (r5s, artist residencies, etc1 ;cntinuedU$ 9IEL$ .APTURE CITH MI.R>PH>E ARRAY , PR>=IMITY MI.R>PH>E , A$ >PTIMAL 9ILTER

Presented at t#e Audi Eng1 Sc1 t#Internatina! .n%erence, S'atia! Audi, He!sin5i, 9in!and, August @761@76 A1 B!duc, P1-A1 Gaut#ier, T1 Ramanana, A1 Berr+

** >U$ 9IEL$ REPR>$U.TI> >9 DIBR>A.>U TI. M>$EL & APPLI.ATI> T> A PLATE CITH CADE 9IE

YTHE I ,** Presented at t#e Audi Eng1 Sc1 t#Internatina! .n%erence, S'atia! Audi, He!sin5i, 9in!and, Aug@761

@76 T1 Ramanana, P1-A1 Gaut#ier, A1 B!duc, A1 Berr+** >U$ REPR>$U.TI> BY BEAM9>RMIG .APTURE A$ CADE 9IEL$ YTHE I ,** Presented at t#e AudEng1 Sc1 t#Internatina! .n%erence, S'atia! Audi, He!sin5i, 9in!and, August @761

@76 T1 Padis, P1-A1 Gaut#ier, A1 Berr+**IDER E PR>BLEM CITH BEAM9>RMIG REGULARIWATI> MATRI= APPLIE$ T> >U$ >UR

L>.ALIWATI> I .L> E$ CI$-TUEL U IG MI.R>PH>E ARRAY,** acce'ted %r 'u0!icatin, %ournal o& Souand Vibration1

@76 P1-A1 Gaut#ier, 1 .#am0atte, .1 .amier, Y1 Pasc A1 Berr+**BEAM9>RMIG REGULARIWATI>, .ALIG MATRI.E , A$ IDER E PR>BLEM 9>R >U$ 9IE

E=TRAP>LATI> A$ .HARA.TERIWATI>& PART II ` E=PERIMET ,**

%ournal o& t$e Audio Engineering Societ"

'ress1@76 P1-A1 Gaut#ier, 1 .#am0atte, .1 .amier, Y1 Pasc A1 Berr+

**BEAM9>RMIG REGULARIWATI>, .ALIG MATRI.E , A$ IDER E PR>BLEM 9>R >U$ 9IE

E=TRAP>LATI> A$ .HARA.TERIWATI>& PART I ` THE>RY,**

%ournal o& t$e Audio Engineering Societ", )!1 n ?, 33-1

@76 P1-A1 Gaut#ier, A1 G8rard, .1 .amier, A1 Berr+**A.>U TI. IDER E PR>BLEM REGULARIWATI>& $IRE.TI> $E9IITI> >9 THE 9ILTER 9A.T>R U I

IGAL-T>->I E RATI>,**

%ournal o& Sound and Vibration, )!1 ???, n ?, 3-33?1@7? P1-A1 Gaut#ier, .1 .amier, >1 Gaut#ier, Y1 Pasc, A1 Berr+

** >U$ 9IEL$ REPR>$U.TI> >9 REAL 9LIGHT RE.>R$IG I .ABI M>.J-UP,**in)ited 'a'er, !ecture at tAudio Engineering Societ" 50nd )nternational Con&erence, Sound .ield Control, Gui!d%rd, UJ1

@7? P1-A1 Gaut#ier, .1 .amier, T1 Padis, >1 Gaut#ier, Y1 Pasc, A1 Berr+**>BE.TIDE EDALUATI> >9 >U$ 9IEL$ A$ >U$ EDIR>MET REPR>$U.TI> I DEHI.LE M>.J-U

U IG A.>U TI. IMAGIG TE.HIUE ,**in)ited 'a'er, 'ster at t#e Audio Engineering Societ" 50nd )nternatioCon&erence, Sound .ield Control, Gui!d%rd, UJ1

@7? .1 Derrn, P1-A1 Gaut#ier, 1 Lang!is, .1 Guasta)in** PE.TRAL A$ PATIAL AALY I / YTHE I >9 MULTI.HAEL ITERI>R AIR.RA9T >U$ ,** )ETransactions on Audio, Seec$ and 'anguage Processing1

@7? 1-91 B!ais, .1 .amier, 1 Pr)enc#er, T1 Padis, P1-A1 Gaut#ier, A1 Berr+, R1 La'inte, M1 Patenaude-$u%ur**9LY->DER AIR.RA9T >I E MEA UREMET .AMPAIG AT M>TREAL-TRU$EAU AIRP>RT U IG

MI.R>PH>E ARRAY,** Int1 .ngress n Acustics, .anada, une @7?1@7? P1-A1 Gaut#ier, .1 .amier, >1 Gaut#ier, Y1 Pasc, A1 Berr+

**AIR.RA9T >U$ EDIR>MET REPR>$U.TI>& >U$ 9IEL$ REPR>$U.TI> I I$E A .ABI M>.J-

U IG MI.R>PH>E A$ A.TUAT>R ARRAY ,** Int1 .ngress n Acustics, .anada, une @7?1@7? .1 .amier, 1 Pr)enc#er, T1 Padis, P1-A1 Gaut#ier, A1 Berr+, 1-91 B!ais, R1 La'inte

**9LY->DER >UR.E L>.ALIWATI> > .IDIL AIR.RA9T ,** 67t$A)AA*CEAS Aeroacoustics Con&erence 89: t$A)A

Aeroacoustics Con&erence;1, Ma+ @7?1

@7@ P1-A1 Gaut#ier, .1 .amier, 91-A1 Le0e!, Y1 Pasc, A1 Berr+**E=PERIMET >9 >U$ 9IEL$ REPR>$U.TI> I I$E AIR.RA9T .ABI M>.J-UP,** Audio Engineering Soci

699rdConvention, >ct0er @7@, San 9ransisc, USA1@7@ P1-A1 Gaut#ier, A1 G8rard, .1 .amier, A1 Berr+

**A.>U TI.AL IDER E PR>BLEM REGULARIWATI>& $IRE.T $E9IITI> >9 9ILTER 9A.T>R U IG IGA

T>->I E RATI>,** Acustics @7@, A)ri! @7@, antes, 9rance1@7 P1-A1 Gaut#ier, 1 .#am0atte, .1 .amier, Y1 Pasc, A1 Berr+

**BEAM9>RMIG REGULARIWATI>, .ALIG MATRI.E A$ IDER E PR>BLEM 9>R >U$ 9IE

E=TRAP>LATI> A$ .HARA.TERIWATI>& PART I THE>RY,** Audio Engineering Societ" 696st Conventio

>ct0er @7, Y, USA1

P#i!i''e-Au0ert Gaut#ier '#i!i''eFau0ertFgaut#ier#tmai!1cm '1 /


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Peer-re)ie(ed 'u0!icatins& Engineering and sciences ;cntinuedRMIG REGULARIWATI>, .ALIG MATRI.E A$ IDER E PR>BLEM 9>R >U$ 9IE

E=TRAP>LATI> A$ .HARA.TERIWATI>& PART II E=PERIMET ,** Audio Engineering Societ" 696stConventio

>ct0er @7, Y, USA1@7 1 Lang!is, .1 Derrn,P1-A1 Gaut#ier, . Guasta)in

**PER.EPTUAL EDALUATI> >9 ITERI>R AIR.RA9T >U$ M>$EL ,** )EEE +ors$o on Alications o& SigProcessing to Audio and Acoustics, >ct0er @7, e( Pa!t4, Y, USA1

@7 .1 Derrn, P1-A1 Gaut#ier, 1 Lang!is, . Guasta)in**BIAURAL AALY I / YTHE I >9 ITERI>R AIR.RA9T >U$ ,** )EEE +ors$o on Alications o& SigProcessing to Audio and Acoustics, >ct0er @7, e( Pa!t4, Y, USA1

@7 P1-A1 Gaut#ier, .1 .amier, Y1 Pasc, A1 Berr+, 1 .#am0atte, R1 La'inte, M1-A1 $e!a!a+**BEAM9>RMIG REGULARIWATI> MATRI= A$ IDER E PR>BLEM APPLIE$ T> >U$ 9IEL$ MEA UREME

A$ E=TRAP>LATI> U IG MI.R>PH>E ARRAY,**

%ournal o& Sound and Vibration, )!1??7, '1 @-331@7 P1-A1 Gaut#ier,1 .#am0atte, .1 .amier, Y1 Pasc, A1 Berr+

**$ERIDATI> >9 AMBI >I. IGAL A$ PLAE CADE $E .RIPTI> >9 MEA URE$ >U$ 9IEL$ U I

IRREGULAR MI.R>PH>E ARRAY A$ IDER E PR>BLEM THE>RY,**Ambisonics S"mosium 0166,Le2ingtn, JUSA1

@77 P1-A1 Gaut#ier, .1 .amier, Y1 Pasc, 1 .#am0atte, A1 Berr+**IDER E PR>BLEM A$ DIRTUAL MI.R>PH>E ARRAY 9>R >U$ 9IEL$ E=TRAP>LATI>,** Aud

Engineering Societ" :1

t$

)nternational Con&erence, Satial Audio< Sense t$e Sound o& Sace, T5+, a'an1@77 .1 .amier, P1-A1 Gaut#ier, Y1 Pasc, A1 Berr+

** >U$ 9IEL$ REPR>$U.TI> APPLIE$ T> 9LIGHT DEHI.LE >U$ EDIR>MET ,** Audio Engineeri

Societ" :1t$ )nternational Con&erence, Satial Audio< Sense t$e Sound o& Sace, T5+, a'an1@77 P1-A1 Gaut#ier, P1 Pas:uier

**AU$IT>RY TA.TI. & A >U$ I TALLATI> I PUBLI. PA.E U IG BEAM9>RMIG TE.H>L>G

'eonardo, %ournal o& t$e )nternational Societ" &or t$e Arts, Sciences and Tec$nolog", MIT Press, D!16?, , '1 6@6??1

@77 P1-A1 Gaut#ier, A1 Berr+OA$APTIDE CADE 9IEL$ YTHE I 9>R A.TIDE >U$ 9IEL$ REPR>$U.TI>& E=PERIMETAL RE ULT

%ournal o& t$e Acoustical Societ" o& America, D!1 @?, 6, '1 -@77@1@77 P1-A1 Gaut#ier, A1 Berr+

OA$APTIDE CADE 9IEL$ YTHE I 9>R A.TIDE >U$ 9IEL$ REPR>$U.TI>& IGAL PR>.E IG,O %ournal

t$e Acoustical Societ" o& America, D!1 @?, 6, '1 @77?-@71@773 P1-A1 Gaut#ier, A1 Berr+

OA$APTIDE CADE 9IEL$ YTHE I 9>R A.TIDE >U$ 9IEL$ REPR>$U.TI>& THE>RY, E=PERIMET A

9UTURE PER PE.TIDE ,O %ournal o& t$e Audio Engineering Societ", D!1 , n @, '1 73-@61@773 P1-A1 Gaut#ier, A1 Berr+

OA$APTIDE CADE 9IEL$ YTHE I 9>R A.TIDE >U$ 9IEL$ REPR>$U.TI>& THE>RY, E=PERIMET A

9UTURE PER PE.TIDE ,O0est student 'a'er a(ard, Audi Engineering Sciet+ @?rd .n)entin, e( Yr5, Y, USA@773 P1-A1 Gaut#ier, A1 Berr+

O>BE.TIDE EDALUATI> >9 R>>M E99E.T > CADE 9IEL$ YTHE I ,O Acta Acustica united (it$ Acustica, )?, , '1 @6-?1

@77 P1-A1 Gaut#ier, A1 Berr+OA$APTIDE CADE 9IEL$ YTHE I CITH I$EPE$ET RA$IATI> M>$E .>TR>L& THE>RY,O %ournal o& t

Acoustical Societ" o& America, D!1 , , '1 @3@-@3?31@77 A1 Berr+, P1-A Gaut#ier

OA$APTIDE CADE 9IEL$ YTHE I CITH I$EPE$ET RA$IATI> M>$E .>TR>L 9>R >U$ 9IE

REPR>$U.TI>,O Proceedings o& Active 011=, Ade!aide, Austra!ia1@77 P1-A1 Gaut#ier, A1 Berr+, C1 Cs4c4+5

O >U$ 9IEL$ REPR>$U.TI> I-R>>M U IG >PTIMAL .>TR>L TE.HIUE & IMULATI> I TH

9REUE.Y $>MAI,O %ournal o& t$e Acoustical Societ" o& America, D!1 3, @, '1 @-31@776 P1-A1 Gaut#ier, A1 Berr+, C1 Cs4c4+5

O >U$ 9IEL$ REPR>$U.TI> U IG A.TIDE .>TR>L TE.HIUE & IMULATI> I THE 9REUE

$>MAI,OProceedings o& t$e 6>t$)nternational Congress on Acoustics, J+t, a'an1

P#i!i''e-Au0ert Gaut#ier '#i!i''eFau0ertFgaut#ier#tmai!1cm '1 3/


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Peer-re)ie(ed 'u0!icatins& Engineering and sciences ;cntinuedTR>L >9 DIBRATI> EERGY TRA MI I> THR>UGH $>UBLE CALL,O Proceedings o& t$e 7t$)

Congress on Sound ? Vibration, >r!and, 9!ride, USA1@77 1-P1 Maru48, L1 .#eng, P1-A1 Gaut#ier

OHYBRI$ DIBRATI> I >LATI> U IG THU$ER A.TUAT>R,O Proceedings o& t$e >t$ )nt Congress on Sound

Vibration, Hng Jng, .#ina1

Peer-re)ie(ed 'u0!icatins ;a0stract n!+MP> ITI> >9 PLAT MATRI= I A.TIDE >I E A$ DIBRATI>& >ME E=EMPLE

656stMeeting o& t$e Acoust Societ" o& America, Sa!t La5e .it+, USA1@77 P1-A1 Gaut#ier, A1 Berr+, C1 Cs4c4+5

OCADE 9IEL$ YTHE I , A$APTIDE CADE 9IEL$ YTHE I A$ AMBI >I. U IG $E.ETRALIWE

TRA 9>RME$ .>TR>L& P>TETIAL APPLI.ATI> T> >U$ REPR>$U.TI> A$ A.TIDE >I

.>TR>L,O 651t$ meeting o& t$e Acoustical Societ" o& America @oint (it$ NO)SE*CON, Minnea'!is, USA1@776 P1-A1 Gaut#ier, A1 Berr+, C1 Cs4c4+5

OI-R>>M >U$ REPR>$U.TI> U IG A.TIDE .>TR>L& IMULATI> I THE 9REUE.Y $>MAI A

.>MPARI > CITH CADE 9IEL$ YTHE I ,O6:2t$ meeting o& t$e Acoustical Societ" o& America , e( Yr5,

Yr5, USA1

Pu0!icatins& Engineering and sciences

@7? Y1 .#am'u2, 1 L8'ine, P1-A1 Gaut#ier, 1-M1 $ruetOA LAB>RAT>RY TE.HIUE T> .>MPARE R>A$ BIJE $YAMI. .>M9>RT,O )MAC-) Con&erence aEBosition on Structural D"namics Engineering Nonlinearities in Structural D"namics, Garden Gr)e, .a!i%rnia, USA

Pu0!icatins ;a0stract n!+$U.TI> $E .HAMP A.>U TIUE PAR YTH E $E .HAMP A$APTATIDE,O 'ster 'resentatin, 2congrs de lAC.AS, interdiscilinar" in sciences and tec$nologies o& music, .anada1

@77 P1-A1 Gaut#ierO.>.EPTI> $U A.TI>EUR PIW>.RAMIUE P>UR LE .>TRLE EMI-A.TI9 $E LA TRA MI I>

DIBRAT>IRE AU TRADER $UE PAR>I $>UBLE,O 2:e congrs de lAC.AS, .anada1@77 A1 Berr+, P1-A Gaut#ier, M1 B8dard

OTE.H>L>GIE ADA.E $E REPR>$U.TI> AU$I>,O 2:e congrs de lAC.AS, interdiscilinar" in sciences a

tec$nologies o& music, .anada1@77 P1-A1 Gaut#ier, A1 Berr+, C1 Cs4c4+5

ODALUATI> >BE.TIDE $E LA O YTH E $E .HAMP A.>U TIUE Xb,O 29e congrs de lAC.AS, .anada



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Pu0!icatins, ta!5s and (r5s#'s& Arts

@76 P1-A1 Gaut#ier**MI E E E PA.E $U > .APTATI> PATIALE $U >,** ta!5 and (r5s#' n sund s'atia!isatin and s'asund ca'ture (it#in a genera! tec#n!gica! and mi!itar+ cnte2t ;? #ursRJ H>P** (it# $anie! .ur)i!!e and i!s Peters, Oboro;Mntr8a!, .ABLMATIUE ET EEU= A.TUEL E REPR>$U.TI> ET E PATIALI ATI> >>RE

ART , .IE.E ET TE.H>L>GIE ,** stud+ da+ n sund and music in audi)isua! et#ngra'#+, LAMI., La0ratde mus8!gie et d*ing8nierie cu!ture!!es, Uni)ersit8 La)a!, ;c, .AU$ C>RJ H>P**;t( (ee5ends


10/18

Pu0!icatins, ta!5s and (r5s#'s& Arts ;cntinued &XbZ L>PA.IT $U > & XbZ LE IMPLI.ATI> UR LA .RATI> >>RE

s'atia! sund and sund c!arit+, ColloJue .OTEO, Arts Disue!s, U1 La)a! ;c, .AU$ REPR>$U.TI> U IG MULTI L>U$ PEAJER Y TEM O and OA ITR>$U.TI> T> T9>U$ATI> , THE TE.H>L>GIE A$ THE P>TETIAL APPLI.ATI> >9 A.>U TI. 9IEL$ YTHE I Xb

Karvest Moon .estival, Music .acult", Uni)1 .ncrdia, Mt!, c, .ncrdia, (((econtactca< 20

P#i!i''e-Au0ert Gaut#ier '#i!i''eFau0ertFgaut#ier#tmai!1cm '1 7/


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E2'eriences, c!!a0ratins& Arts and engineering

@77-6 RE EAR.H PR>9E I>AL ;LEDEL IIIR ;LE.TURER-.HAIR

Internatina! .ngress n Acustics, Sessin& Acustic signa! 'rcessing %r )arius a''!icatins, .anada1

@7? .IETI9I. REDIECER

Audi Engineering ciet+ @

nd

Internatina! .n%erence, Sund 9ie!d .ntr!, UJ1

@7@-? >U$ ART .URAT>R

OEs'ace XIm M8dia, 'r0!e, S#er0r5e, u80ec ;.AL>GI.AL E=PERT

9r t#e media artist St8'#ane .!aude %r e2'ertise in s'atia! audi1

@77 .IETI9I. REDIECER

IET .ircuits, $e)ices and +stems, IET ;Institutin % Engineering and Tec#n!g+C PRE I$ET ;t @7@>9REA$ER A$ REDIECER

9r t#e 05 $esigning und ;s+nt#etic sund design (it# Pure-$ata< 0+ And+ 9arne!!, A''!ied Scienti%ic Press, @7

and t#en MIT Press1@773 URY

E!ectracustic music cntest OTime P!a+ @7731O



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E2'eriences, c!!a0ratins& Arts and engineering ;cntinuedRJ H>P

OLca!isatin auditi)e et s'atia!isatin snre,O ;s'atia! #earing and s'atia! sund< in t#e !essn OArts snres 8!ectrni:uesO ;sund art and e!ectrnic art ER

9r .#ristine St-Maur, %r a 'iece 'resented atmergence @77@, _!t 9!eurie, u80ec, c ;.AR

Mec#anica! engineering de'artment, Uni)ersit8 La)a! ;.A


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A(ards, grants and mentins

@76 .AA$A .>U.IL 9>R THE ART ;.A.U.IL ;.ALU.IL ;.ALUP TRAIIG& ?$ M>$EL A$ AIMATI>

Gru' training ; #urs$EL A$ ?$ PRIT

Gru' training ;6 #ursP & PATIAL HEARIG A$ PATIAL AU$I>

9irst editin, ne (ee5end, A)atar, centre d*artistes en arts audi, u80ec ;.AR

GM.-7?76, $+namics % )i0ratins, $8'artement de g8nie m8cani:ue, Uni)ersit8 La)a! ;.AR

$8'artement de g8nie m8cani:ue, Uni)ersit8 La)a! ;.A!i)ier Gaut#ier, undergraduate trainee, 0atc# 'rcessing %r sund %ie!d re'rductin in aircra%t mc5-u', @7@1

@1 98!i2-Antine B8ru08, undergraduate trainee, sund %ie!d re'rductin in aircra%t mc5-u', @71

?1 Emmanue! .rratg8, trainee, Ada'ti)e Ca)e 9ie!d S+nt#esis, @771



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Teac#ing dssier ;cntinued%%ice, LaTe=h, Scri0ush, Gim'h, a0Re%h, LaTe=$ra(h, L+=h, 9reeMindh

Prgramming

Mat!a0 ;ad)ancedcta)eh, . and . %r audi ;0eginner'erating s+stems

Cind(s ;ad)ancedS ;ad)anced


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Recent-+ear readings& Arts, sund, music, media, and educatin

H( Images T#in5 ;Burnett

Philippe-Aubert Gauthier - Resume - 2014

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