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UUSIC POR GUITAR IND PIANOFrom the collection of the Library of Congress

I.10006 AUBERY DU BOULLBY, Prndent Louisi lhto Concettant, op 31.Publ: Richault. 24 pages (tO etr, 14 pn). ID=Auberv.0p31.

@RRBCIIONS: (bt=beati cl=notated middle C.)Gtr189 btl: ledger line inserted above a.Gtr267 bt3: c2 was d2.Gtr413 bt2: {l removed from d2.Pn55,67 bt4 treble! implied {l on d2 written in.Pn92 bass! 4er rest was 8th rest.pn45, 194,324,338,407-412,4L5-42O ,423'424,426-428,43O,457 ,493,507: whole and half notes

shifted left from centered positions.Pn140,148 btl treble! al was under d3.Pn42l btl treblet e2 was double dotted.

@uuEtrtTs:Beware of unmarked triplets, for example in gtrl2O.Gtr91! should properly end with thin double bar.A modern rewriting of the passage in harmnics (gtr237...) is supplied separately. If

you find it helpful, tape it over the original. Moreover, there is a problem with thenotation where the composer indicates 7th fret harmonics (gtr253,255, etc.) Eitherthe notated pitches are nou inLended, or else the harmonics are not all at the 7thfret. Since the notated pitches make better mrsic than the 7th fret hazmonics, staffsare supplied which give a realization in harmonics of the notated pitches.

Orieinal cover page has poor-condition octagonal Bwer & Johanning stamP.

DBPINITIONS:Assai = very.Dolce = sweet.Glissez = "glide" = glissando = rapid scale obtained by sliding from one note to next.Loco = "place" = play notes in normal location (after harmonics.)Pouce = thumb (i."., left hand thumb in etr239.)Rinf = rinforzando = sudden stress on a single noEe or chord.Rondo = for:ur of mrsic in which the principal subject is repeated several times, e.9.,

ABACA.Touche = "key" (piano) = fret or position on guitar.V S = volti subito = turn (p.g") quickly.

TIBRARY OP CONGRESS CALL NLnEBR: M277.A (in box labeled "M277 A-").

fiIANKSi The publisher is indebted to pianist Elmer Booze for his proofreading help.

@glRIGS[: This performance facsimile containing orlginal material (c) Copyright 1997by Donald Sauter. Search for my name on the web for contact information. Thanks.

THE

This “performance facsimile”, with restoration, corrections, measure numbers, and other aidsto ready performance, was created by Donald Sauter (1997) and is offered freely to the world.

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