Albert Lavignac

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    Albert Lavignac

    Alexandre Jean Albert Lavignac  (21 January 1846 –

    28 May 1916) was a French music scholar, known for his

    essays on theory, and a minor composer.

    1 Biography

    Lavignac was born in   Paris   and studied with  Antoine

    François Marmontel,   François Benoist   and   Ambroise

    Thomas   at the   Conservatoire de Paris, where later

    he taught harmony. Among his pupils were   HenriCasadesus,   Claude Debussy,   Vincent d'Indy,   Amédée

    Gastoué, Philipp Jarnach, Henri O'Kelly, Gabriel Pierné,

    and Florent Schmitt.

    In March 1864, at the age of eighteen, he conducted

    from the  harmonium the private premiere of Gioachino

    Rossini's Petite messe solennelle.

    His condensed work,   La Musique et les Musiciens, anoverview of musical grammar and materials, continued to

    be reprinted years after his death. In it he characterised

    the particular characteristics of instruments[1] and of each

    key,

    [2]

    somewhat in the way Berlioz and Gevaert (Traité d'orchestration, Gand, 1863, p. 189) had done:

    Major keys:

    •   F-sharp major: Rough (“rude”)

    •   B major: Energetic ("énergique”)

    •   E major: Radiant, warm, joyous ("éclatant, chaud,

    joyeux”)

    •  A major: Frank, sonorous (“franc, sonore”)

    •   D major: Joyful, brilliant, alert (“gai, brilland,

    alerte”)

    •  G major: Rural, merry (“champêtre, gai”)

    •   C major: Simple, naive, commonplace (“simple,

    naïf, franc, ou plat et commun”)

    •  F major: Pastoral, rustic (“pastoral, agreste”)

    •   B-flat major: Noble and elegant, graceful (“noble et

    élégant, gracieux”)

    •   E-flat major: Vigorous, chivalrous (“sonore, én-

    ergique, chevaleresque”)

    •   A-flat major: Gentle, caressing, or pompous (“doux,

    caressant, ou pompeux”)

    •   D-flat major: Charming, suave, placid (“plein de

    charme, placide, suave”)

    •   G-flat major: Gentle and calm (“doux et calme”)

    Minor keys:

    •  G-sharp minor: Very somber (“très sombre”)

    •   C-sharp minor: Brutal, sinister, or very sombre

    (“brutal, sinistre ou très sombre”)

    •   F-sharp minor: Rough, or light, aerial (“rude ou

    léger, aérien”)

    •   B minor: Savage or sombre but vigorous (“sauvage

    ou sombre, mais énergique”)

    •   E minor: Sad, agitated (“triste, agité")

    •   A minor: Simple, naive, sad, rustic (“simple, naïf,

    triste, rustique”)

    •   D minor: Serious, concentrated (“sérieux, concen-

    tré")

    •   G minor: Melancholy, shy (“mélancolique, om-

    brageux”)

    •   C minor: Gloomy, dramatic, violent (“sombre, dra-

    matique, violent”)

    •  F minor: Morose, surly, or energetic (“morose, cha-

    grin, ou énergique”)

    •   B-flat minor: Funeral or mysterious (“funèbre ou

    mystérieux”)

    •   E-flat minor: Profoundly sad (“profondémenttriste”)

    •   A-flat minor: Lugubrious, anguished (“lugubre, an-

    goissé")

    His more popularized works discussed the music dramas

    of Richard Wagner, summarised in Le Voyage artistiqueà Bayreuth.

    2 Selected works

    Lavignac edited the compendious Encyclopédie de la Mu-sique.

    1

    https://en.wikipedia.org/wiki/Richard_Wagnerhttps://en.wikipedia.org/wiki/A-flat_minorhttps://en.wikipedia.org/wiki/E-flat_minorhttps://en.wikipedia.org/wiki/B-flat_minorhttps://en.wikipedia.org/wiki/F_minorhttps://en.wikipedia.org/wiki/C_minorhttps://en.wikipedia.org/wiki/G_minorhttps://en.wikipedia.org/wiki/D_minorhttps://en.wikipedia.org/wiki/A_minorhttps://en.wikipedia.org/wiki/E_minorhttps://en.wikipedia.org/wiki/B_minorhttps://en.wikipedia.org/wiki/F-sharp_minorhttps://en.wikipedia.org/wiki/C-sharp_minorhttps://en.wikipedia.org/wiki/G-sharp_minorhttps://en.wikipedia.org/wiki/G-flat_majorhttps://en.wikipedia.org/wiki/D-flat_majorhttps://en.wikipedia.org/wiki/A-flat_majorhttps://en.wikipedia.org/wiki/E-flat_majorhttps://en.wikipedia.org/wiki/B-flat_majorhttps://en.wikipedia.org/wiki/F_majorhttps://en.wikipedia.org/wiki/C_majorhttps://en.wikipedia.org/wiki/G_majorhttps://en.wikipedia.org/wiki/D_majorhttps://en.wikipedia.org/wiki/A_majorhttps://en.wikipedia.org/wiki/E_majorhttps://en.wikipedia.org/wiki/B_majorhttps://en.wikipedia.org/wiki/F-sharp_majorhttps://en.wikipedia.org/wiki/Fran%C3%A7ois-Auguste_Gevaerthttps://en.wikipedia.org/wiki/Hector_Berliozhttps://en.wikipedia.org/wiki/Key_(music)https://en.wikipedia.org/wiki/Petite_messe_solennellehttps://en.wikipedia.org/wiki/Gioachino_Rossinihttps://en.wikipedia.org/wiki/Gioachino_Rossinihttps://en.wikipedia.org/wiki/Pump_organhttps://en.wikipedia.org/wiki/Florent_Schmitthttps://en.wikipedia.org/wiki/Gabriel_Piern%C3%A9https://en.wikipedia.org/wiki/Henri_O%2527Kellyhttps://en.wikipedia.org/wiki/Philipp_Jarnachhttps://en.wikipedia.org/wiki/Am%C3%A9d%C3%A9e_Gastou%C3%A9https://en.wikipedia.org/wiki/Am%C3%A9d%C3%A9e_Gastou%C3%A9https://en.wikipedia.org/wiki/Vincent_d%2527Indyhttps://en.wikipedia.org/wiki/Claude_Debussyhttps://en.wikipedia.org/wiki/Henri_Casadesushttps://en.wikipedia.org/wiki/Henri_Casadesushttps://en.wikipedia.org/wiki/Conservatoire_de_Parishttps://en.wikipedia.org/wiki/Ambroise_Thomashttps://en.wikipedia.org/wiki/Ambroise_Thomashttps://en.wikipedia.org/wiki/Fran%C3%A7ois_Benoisthttps://en.wikipedia.org/wiki/Antoine_Fran%C3%A7ois_Marmontelhttps://en.wikipedia.org/wiki/Antoine_Fran%C3%A7ois_Marmontelhttps://en.wikipedia.org/wiki/Parishttps://en.wikipedia.org/wiki/Composer

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    2   5 EXTERNAL LINKS 

    •   Cours complet théoretique et pratique de dictée musi-cale (1882)

    •  École de la pédale  (1889)

    •  La musique et les musiciens   (1895) Translated intoEnglish, 1905

    •  Le voyage artistique à Bayreuth  (1897) An analysisof Wagner’s leitmotifs.

    3 Footnotes

    [1] “The timbre of the trombone is in its nature majestic

    and imposing. It is sufficiently powerful to dominate a

    whole orchestra and produces an impression of superhu-

    man power ... it can become terrible ... or mournful and

    full of dismay: or it may have the serenity of the organ ...

    It is a superb instrument of lofty dramatic power, whichshould be reserved for great occasions.”

    [2] page 424

    4 References

    •   Gail Smith, “Keys and colors: is there a connec-

    tion?"

    5 External links

    •  Free scores by Albert Lavignac at the International

    Music Score Library Project

    https://en.wikipedia.org/wiki/International_Music_Score_Library_Projecthttps://en.wikipedia.org/wiki/International_Music_Score_Library_Projecthttp://imslp.org/wiki/Category:Lavignac,%2520Alberthttp://www.melbay.com/creativekeyboard/jan03/colors.htmlhttp://www.melbay.com/creativekeyboard/jan03/colors.htmlhttps://en.wikipedia.org/wiki/Leitmotif

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